Pitchfork reviews the new Ladytron album (out here in November, I believe):

'Mixed signals abound and obtain and endure: the album is by turns ominous and playful; for every passage that feels like ghosts haunting the intercoms at an abandoned airport, there are stretches like "Seventeen", which, be warned, is the only thing in the world catchier than Quincy Jones' "Sanford and Son" theme. I won't even type its chorus for fear of its voodoo.'